Showing posts with label m2818. Show all posts
Showing posts with label m2818. Show all posts

Wednesday, 10 October 2012

look what i found

At the op shop (yes, we're back in Australia):

Yes, the M2818 sewing pattern of my recent ill-fated dressmaking attempts. In my size too, for a dollar. I'm going to keep at it and it's good to have a spare on hand in case my current version gets too tattered.

In the last fortnight, I've also picked up:

- various decor and tupperware plastic storage containers
- a size 4 Country Road hooded sweatshirt for baby b
- a green Seed hooded sweatshirt, size 5/6, for baby b for later
- some unworn European leather shoes for baby b for later
- a pair of Ecco girls boots for a friend's daughter (not sure which friend yet, they're size 23 - give me a yell if you have a daughter)
- likewise for a pair of silver Tip Toey Joey slip-ons
- a Trenery blouse for myself
- great children's books of Aesop's fables, Hans Christian Andersen tales and tales of the Arabian Nights, all with wonderful illustrations
- a wooden circus game
- a linen dress to repurpose as a school uniform piece for miss bear
- a hat for school, also for miss bear
- an unopened packet of overnight nappies for baby b
- a t-shirt for baby b
- a black woollen skirt for myself
- trousers for Tim
- a mug, and I'm sure that's not all.

Guess what else I finally found - free wireless internet (at home, not at the op shop).

ps. There is a spinning wheel in the window at Cheltenham Salvo's (or at least there was a few days ago).

Tuesday, 14 August 2012

m2818 AA v.2

Palmer Pletsch for McCall's 2818
Alma Aguilar version 2

And here is version 2, with a differently cut yoke and the same gaping problem.


Again, fits very nicely across the bust - hooray! I cut the yoke across the princess seams just above the bust apex and the neckline even deeper and wider and it does sit ok if allowed to sit very wide on my shoulders (much wider than I would like, strapless-bra required wide) and I haven't done the understitching on the neckline yet and it doesn't have sleeves, which do tend to pull things into shape, but I have run out of fabric until I can find another French Connection butterfly print top on ebay and ...

It also occurs to me that this is a semi-fitted pattern. I'm wondering if that doesn't lend itself to a deep neckline. Anyway, I'm going to put this one away for (maybe) later.

(Final lesson learned - maybe those late-night dressmaking sessions are not such a good idea.)

Monday, 13 August 2012

m2818 AA v.1

Palmer Pletsch for McCall's 2818
Alma Aguilar version 1

This is what I have spent a lot of time working on recently - a lot of time adjusting the pattern with a full bust adjustment (fba) (it took me four tries but I got it right), then sewing a toile, then altering the neckline, then cutting and pinning and sewing and facing and interfacing.


And, I'm afraid, it has not wholly been a success. I have a litany of little woes to recount about this project; oh where to start? With a positive - the fba turned out very well and now that I am confident with that I will not hesitate to do it again. Hooray! This Palmer Pletsch pattern includes all of the lines upon which you need to cut in order to make the adjustments and it is really easy. Double hooray!

The greatest problem that I encountered here was with the neckline and I must note that I altered it in an effort to emulate the Alma Aguilar dress of my dreams and perhaps that is where it all went wrong? Anyway, the neckline gapes (see fuzzy middle image), that is, doesn't sit flat against my chest. This may be an issue with the original pattern, unfortunately I never completed my toile of that far enough to assess the neckline, I was too focussed on getting the fba perfected. I cut my neckline a lot deeper than that in the pattern, not sure whether a deeper neckline calls for tightening up elsewhere - would need to make a toile again to assess that but I am very over this sewing pattern. I also made some mistakes with interfacing and sewing the yoke and I had a lot of trouble with the facings and the sleeves aren't finished because I absolutely ran out of steam and ... in short, I've had it with this one.

I did have some fun with the back though - the pattern calls for a placket up the back and I was planning on using an invisible zip at the side but since I was upcycling a men's shirt I just cut the back pieces from the front of the shirt and incorporated the placket. I left the chest pocket on the shirt and you can (sort of, just) see where that is incorporated into the princess seams.

Sunday, 5 August 2012

learning curve

Ah, inspiration. At what point does it turn into obsession? I appear to be on my way to finding out. As soon as I saw this Alma Aguilar dress I became, shall we say, completely preoccupied with recreating the bodice. I think it is just beautiful, not so taken with the skirt shape but I'm busy with blouses at the moment so that's ok (a dress is in the planning stage but that will be later, much later).

So I have been busy sewing and busy learning, mostly about how to sew a curve. It's hard work. The issue with sewing a curved seam (as in the seam between the yoke and bodice at left) is that the seam line (where you sew) is the same length on both pieces but, given the seam allowance, the edges of the pieces are different lengths. They are also different shapes.(You can get a bit of an idea from this Collette sew-along tutorial.)

My original pattern (McCall's 2818) had no such curved seam issues but I had to go and modify it, twice over, in an attempt to mimic the bodice of my inspira... obsessi... preoccupation. There was much clipping and notching and pinning and stitching and puckering and undoing and restitching and ... I'll show you the results next time.

(image credit)

Tuesday, 31 July 2012

fifth course

I've been randomly knitting away on Tim's secret pink stripe smorgasbord delicious socks. I'm up to the fifth different yarn and they're coming along nicely. Just stocking stitch in the round for a while now, then ribbing I guess. I don't think I'll even need to do any shaping as they are certainly not going to be knee highs (as the pattern accommodates).


And I am working on the lace edging for Cladonia, these are long rows now:


And I'm still working on my blouse. Here's a snippet of the fabric, upcycled from a men's shirt that I bought in ... Australia, maybe? From the op shop, brand is Blazer, it's a medium-weight cotton with this little dark blue print of sprigs. It looks just like a patchwork print but the material is heavier.


I managed to totally muck up the front yoke facing so it wasn't sitting nicely at all. Now that I have removed it, it appears that the front yoke and front yoke facing are completely different shapes ... not at all sure how I managed that. Am trying to maintain momentum in order to actually finish it (rather than resorting to the more pleasant task of cutting pattern pieces out for a different blouse. I've only done one so far).

Wednesday, 18 July 2012

attitude adjustment

So after my recent mini crisis of confidence in the sewing field, I took a deep breath and just got down to it. I think part of it is just accepting that it's a learning process and that there are going to (possibly, likely) be a few iterations.

I laid out my front side pattern piece and cut into it, lowering the bust apex, spreading the pattern piece out, closing the resulting dart, inserting extra tissue paper and taping it all together. It was, like most things when you follow the directions, easy.

Then yesterday evening I cut out the front, back and side pieces from calico and stitched it up. It was a bust (pardon the pun but was one ever more apposite?) Didn't fit - I had lowered the bust apex too far and hadn't added enough in the bust and will have to start over again. BUT, even with these shortcomings, I saw the shape of things to come, a top that is going to fit me. As soon as I get a free half hour or so (which really, is as long as it takes to do the fba as per the instructions that come with the pattern) I'll give it another shot.

And I'm delighted that I didn't even cut into or waste a shred of my super-cute fabric, upcycled from a French Connection blouse purchased second hand.

Tuesday, 17 July 2012

s[e]wing

And then after I have finished a couple of knitting projects, I inevitably find my interest swinging back to sewing.

Part of the impetus for this is the recent demise of a couple of t-shirts. In all of America, or so it seems, I have not been able to find anything as good as my favourite Witchery t-shirts - 100 per cent cotton, scoop neck, and long. I've tried a Gap essential t-shirt in the tall fit - good length, atrocious quality. I've tried an American Apparel u-neck t-shirt - ok, except really limited colour choice. And as I may have mentioned before, I'm really tired of wearing t-shirts all the time and long for a blouse or dress from woven fabric. One that fits.

Will this be it?


I was reading somewhere about full bust adjustment (fba) methods and came across mention of Palmer Pletsch's Fit for Real People which I then bought and read (and really liked) and then looked at their patterns and bought this one (McCall's M2818). Mostly because with the princess seams it has the potential to resemble a gorgeous Alma Aguilar dress that I have fallen in love with.

So, yes, now all I have to do is actually make it. These Palmer Pletsch patterns come with all of the markings necessary for making common fit adjustments, including the fba. And although I found their book very up-beat and encouraging, somehow, faced with the pattern, I feel terribly daunted. Yes I need to adjust the bust but by how much? And how much ease do I want? And is there enough ease in the pattern already if I just lower the bust apex? And ... and I just need to get on with it. Lower the bust apex, do the fba and sew a muslin.

Yeah. In the meantime, I ordered a few more t-shirts.