... apple. But also for ape and artichoke and aegis and aisle and awl. What a versatile letter. I remember with quite some indignation how in beginners - my first year of primary school - Mrs Baxter refused to include 'a is for Amelia' because it wasn't the 'a' as in cat.
A is also for Australia. Guess where we are off to tomorrow?
Everyone who knits should knit lace. Just for the thrill and satisfaction of blocking it out and seeing the amazing transformation. Nevertheless, I'm still not convinced that I want to continue knitting this. It is lovely, it does look wonderful but as a friend said, life is too short.
I am convinced, however, that I'm not ready to rip it all out so I will be placing this project in hibernation for a while. This may or may not be related to the fact that I cast on for the 'knitted veil in Pyrenees wool' yesterday evening. I just wanted to see what it was like, just wanted to try the yarn out, just ... just ... just ...
I am having qualms about my faux prussian stole. Back in March when I started it I was filled with misgivings - to quote "do I really want to knit this? do I really want to knit this now? do I really want to knit it from this yarn? what else would I prefer to knit it from? do I have anything else that I would prefer to knit it from?"
And now that I am a quarter of the way through, they are back. While straightforward enough and an enjoyable knit, it is still quite onerous. There is absolutely no memorising the 81-stitch-by-96-row pattern so knitting involves constant attention to the chart. This is quite mind-soothing and completely takes your thoughts away from everything else (which is something that I love about knitting) but there is enough time and effort involved that you need to be certain about what you are making. And I'm not.
I do love the pattern, I'm enjoying the knitting, I'm just not convinced that the finished product is going to be something that I want and it's too big a project to just knit for the sake of it. There are some other things that I would prefer to be working on. I haven't given up yet though - what I have completed so far is currently upstairs blocking so that I can get a better idea of whether it is a project that I want to finish. We'll see tomorrow.
This is what I imagine all the creative projects queued in my head saying, 'someday the right sewing machine needle will come along', 'someday there will be the right fabric to finish me off', 'someday there'll be some time for the hand stitching'. Ok, these projects are in my head so that is exactly what they say. Anyway, today this project got lucky.
A couple of weeks ago I got Ikea-ed. Anyone who has ever gone in there specifically to buy item X and has come out with half the alphabet knows exactly what I mean. I went there to buy a mattress for baby bear's 'big girl bed' and ended up spending about three times that - an embroidered cushion, an embroidered lampshade, toy cutlery set, toy baking set, etc etc. And a mattress, just as well. So then I dropped in to the nearby Tukwila Goodwill - hooray! - where I bought two Ralph Lauren fitted sheets for said mattress and an Ikea doona cover (one side check, one side floral).
I liked the print and figured that I could make a couple of sheets out of it which is precisely what I have done (well, half done). I ripped the two fabrics apart and this morning was finally grabbed by the desire to hem the edges of one of the sheets.
And that's when inspiration struck. I realised that this floral was just the print for binding the edge of the candlewicked bedspread that has been waiting for ... oh, let's just say several months to be finished. I can't actually remember whether I bought it at a thrift store or a garage sale but it is a white candlewicked bedspread that I had to cut down because half of it was very damaged. Which left me with a raw edge on the bedspread. Until this morning, when I decided that the floral was just the right print.
I seem to have inadvertently taken a blogging break. What have I been busy doing? Umm, well ... I'm sure that I've been busy, what else could I have been? Maybe just forgetful. Anyway, I love that phrase, 'make do and mend'.
Do you notice a small colour variation in the belt at left? That's the 'make do' bit - making do with what I have. Given that I am knitting Wallingford from recycled yarn, there was really no choice in the matter. I always had anxieties about whether or not I would have enough yarn and always had a contingency plan in place. The centre of the belt will never be on display as it will be contained within the belt casing, hence the portion knit in another colour to save on my main red yarn. Likewise the casings have all been knit from the burgundy as they are on the inside of the garment and will rarely be seen.
All the knitting is finished on this now - hooray - there is just the seaming, finishing to go and the matter of finding three identical, preferably vintage, buckles for the belt and wrist straps. Could be a while yet!
Further, when you can't be bothered mending you have to make do with what you've got in your wardrobe. I was very pleasantly surprised when I went to said wardrobe a few days ago to find that my mending had been taken care of. Yes, the trousers in question no longer actually fit me so there is no longer any need to take them in at the waist. I might spend the time exercising instead ... ha ha, or knitting.
ps - I've been pipped at the post in the Ravelry stakes. Someone recently put up their fully finished garment - no warning whatsoever.
Can I do it? Can I possibly be the first person on Ravelry to complete Walling(ton/ford)? So exciting.
Today I completed the right front which was the last of the the main pattern pieces and now it's all blocking.
Problem is, there is a lot of finishing to go - not just seaming and button bands and collar but also two straps for the wrists, the belt and casings for the two sleeves, two fronts and back (which the straps and belt respectively feed through). Good news is that it looks like I am going to have plenty of yarn - whoo hoo.
This has been a great knit so far although the endless stocking stitch is way boring. There is very little shaping - just the armholes, shoulder and neckline - but I'm hoping that all the details with the straps will make it look sophisticated enough. For future garment knitting (yes, I think that there will be more now that I've got the ball rolling) I think that I will have to knit something with a more complex shape or in a pattern stitch to keep the interest up. There are some great jacket patterns around - Darcy, balloon-sleeved jacket - but as if miles of stocking stitch weren't tedious enough, imagine all that in moss stitch. No thank you. I think that I can see the sunrise.
Amazing! We went to the second-hand book sale at a church in the University District today. It was a fantastic outing - there was live music, traditional food from Cameroon and an excellent selection of books. I now have more Golden Hands than I know what to do with:
There appears to be every single volume there, kept pristine in the binders plus the fourteen sequel issues. Thank you someone for being so careful and for donating them!
Not to mention the entire sixteen-volume set of Time-Life The Art of Sewing series with volumes like 'Basic Tailoring', 'The Sporting Scene' and 'Restyling Your Wardrobe'.
Each volume has its own fabric cover:
And a book about creativity:
And children's books with wonderful illustrations:
And an absolute deluge of inspiration to boot. Photos of that to come after I make it to the church spare-time fête.
Christian Dior, one hundred per cent silk apple green blouse. It's made in Hong Kong so I'm guessing that it was made under license. I love the way that the brand name is embroidered onto the inner yoke. And the cufflinks! I don't know whether they are original to the blouse but they're great (and heavy).
And another treasure - this wooden sewing box, made in Poland, complete with dove-tail joinery, which so reminds me of one that my grandmother had.
It even came with a bonus crochet hook and a few shirt buttons inside, so it was clearly in use by someone. I love the way the sides open out accordion-fashion.
Today I attended a knit-in for feminist scholarship held at the Phinney Neighborhood Association; all funds raised today are to be donated to the University of Washington Women Studies Department to pay for undergraduate awards for activism, service and academic rigour. Why they needed to have a knit-in to raise this money is all to do with budget cuts and economic downturns and other concepts which really have no place on this blog even though they seem to have saturated the rest of our lives. Anyway, hooray - I won a door prize. A hank of Pagewood Farms Yukon Hand Dyed Sock Yarn, which is a merino/bamboo/nylon blend, in the colourway 'crayon'.
Alas, attending a knit-in and winning doorprizes is about as much as I feel I can do for feminist scholarship at the moment, or scholarship in general. I used to think that I would be a uni student forever; whenever I became interested in something my first thought was to do a degree in it. I used to feel that the structure of formal study was what was necessary to make my learning real, to validate it. Key words there are 'used to'. That structure of reading lists, essays, exercises, due dates, exams - I'm afraid that I have passed that phase in my life.
Where does this leave my health economics study? In limbo, until I finally get around to writing a letter asking to be officially discontinued. Sigh. More time to knit I guess.
Truly I do. Every day in fact, which is probably why I don't have time to read quilting books but anyway ... this is a random knitting update post:
Baudelaire socks - I cannot remember the last time that I didn't look at these. I know that I got over the trauma of the dropped stitches and started on the leg. Ah, that's right - the dilemma of how do I know when I have enough yarn left to complete twelve rows of ribbing (and a bind-off)? My good friend Heidi (who is merchgirl on Ravelry - check out her astounding Laminaria) suggested test knitting a row of ribbing, then frogging it and measuring how much yarn it required. Measure out twelve times as much yarn from the wrong end of the ball (and some more for the bind-off I imagine) and then just knit to that point. Such a good idea, I'll try it someday.
Faux Prussian Stole - I completed one of the five-and-a-half 81-stitch-by-96-row repeats and collapsed from exhaustion. That in itself was such a feat that I have not yet quite recovered enough to start on the next repeat. I did, however, purchase an Addi Nature circular needle (bamboo tips) which I think will hold the yarn better. It was very slippery knitting on the Addi Turbos that I was using.
Diamond mittens - Going well but haven't picked them up for a while. All I have to go on the left mitten is the individual fingers (which get tucked in underneath the mitten top) and the thumb. On the right mitten I have started the ribbing thereby hoping to avoid second mitten syndrome.
So what have I been knitting everyday?? Wallingford! Which is actually a pattern called Wallington but as I go to a knit night in Wallingford on Mondays it was too much to have two such similar words milling around in my brain. Rather than rename the neighbourhood I thought it easier to rename my project (ah, yeah). Besides, I like the word Wallingford better. This is my first adult-sized garment project and I am knitting it from recycled wool. So far I have completed the two sleeves, the back to just beyond the armhole shaping and one front about as far as the waist. This leaves: the rest of the back, the rest of one front, all of the second front, the collar and front bands, the wrist straps and the belt and the wrist and waist casings.
Hmmm, will I make it? I think so. It won't matter too much if the casings are knit from a different yarn as they are on the inside of the garment and I imagine that even a portion of the wrist straps could be in a different yarn too as that portion will always be concealed inside the casing. The belt is a bit more of a challenge in the potential substitute stakes - where the belt would sit inside the casing depends whether I want to wear it buckled up or tied. This is likely to make it more difficult to conceal a portion knit in a different yarn. Regardless, this is all down the track - I have to complete the garment pieces first before I do the finishing (although I predict that I will be seaming with a different yarn: just. in. case.)
More book love. This is another of the swag that I picked up at Bellevue Library a week or so ago - Quilts of Tennessee: Images of Domestic Life prior to 1930 by Bets Ramsay and Marikay Waldvogel. I've only had time so far to leaf through and look at the photos of the quilts and read a few captions and sidebars but just that experience has been wonderful. The work(wo)manship, the make-do-and-mend mentality, the pride and most of all the incredible amount of time that went into making these quilts. And best of all the reassurance because I tell you, some of them are really lumpy!
As I am sure the astute reader will have picked up, I have a few issues with perfectionism, namely with letting go of it. I would say that, apart from time and energy constraints, it is the thing that has held me up the most in the past with my creative endeavours. You know, that it wouldn't be good enough, that it wouldn't work out, that it ... blah blah blah. It is reassuring to see that wonderful works of creativity have a few unique bumps in them. When did it become the case that quilts were supposed to be perfectly smooth and orthogonal? When did idiosyncracy go out the window and machine-made precision became the requirement? Point of all this being that I'm a little anxious about some of the rumples that I expect to see in my quilt as a result of some puckering in the batting. I could just say that I'm going authentic (although I did receive some great advice from millymollymandy about reducing the pressure on the foot - I can see how this would help the fabrics to glide through more easily).
Anyway, a wonderful book, even just to look at. The premise that quilts can tell a story about domestic life is also fascinating and I hope that I manage to read just a bit of it before it's due back.
Stitch in the ditch, that is. Yes - hooray - much sooner than expected I have gotten around to doing some further sewing on my vintage fabrics quilt. When I consider how much prevaricating there has been around this project, it is actually quite amazing that I am up to the quilting stage - yes, quilting!
I don't want the quilting to be too obtrusive because really, it's all about the different colours and patterns so I have opted for the 'stitch in the ditch' quilting method, which is about as un-decorative as you can get. It involves stitching ever so carefully along the actual seam between the two fabrics. I found it fun to do because you have to gently but firmly pull the two fabrics apart to expose the seam and then try to stitch along it. The example on the left shows a line of purple quilting stitches along the 'ditch' between a floral square and a purple patterned square. As is always the case with my illustrations, this one was carefully chosen to reflect only the highest point of my stitching efforts (that is to say, there are other, lower, points).
It's even more surprising that I have gotten around to doing this when you consider what I had to come to terms with in order to do the quilting - a walking foot. What is that big white appendage that all too closely resembles the distended belly of some particularly scary insect? And that needle-sharp proboscis; oh wait, that is the needle. But you get the picture - I found the walking foot to be very daunting. What it, apparently, does is help to feed the upper and lower fabrics through at the same speed, thereby reducing the chances of the fabrics becoming misaligned. There are actually a couple more parts to the foot that aren't even shown here. Please believe me that it was scary.
So what I am up to now is the cross quilting - two diagonal lines from corner to corner on each square. Now that I have the walking foot attached and the tension correctly set, I dare not take it off which means no other sewing until I get all the quilting done. Should push me along a bit (or signal a return to exclusive knitting).
Have I mentioned abebooks before? I love abebooks.
We visited the Bellevue branch of the King County Library Service on the weekend. I could hardly carry the pile of books that I found there - books on knitting, on quilting, on trapunto and Period Needlepoint for Antique Furniture by Madeleine Jarry and Maryvonne Dobry. Translated from the French - who in 1976 thought that this book was worth translating from the French? I love them too.
Of course, as often happens with fabulous library books, I fell in love immediately and dearly wanted my own copy. I had a quick check on abebooks thinking that if it wasn't too expensive, $5 or so, I would grab my own copy. Could I be so lucky? Yes, even luckier - $1.88. I ordered it about an hour ago and it has already been shipped. I love abebooks.
ps - If you want your own copy, be quick! The next cheapest copy is $1.91!
I like J Crew. Particularly, I like J Crew woollen knits - 100 per cent lambswool, lovely colours. I also love the fact that 100 per cent lambswool J Crew knits in lovely colours are very easy to find at the thrift store. And they unravel really well.
I have an ongoing anxiety about not having enough recycled yarn to complete the project that I'm working on. Sometimes it's ok; yes, one adult sweater will definitely yield a pair of mittens or a child's cardigan. But what about an adult cardigan, an adult cardigan for me? Like the one that I cast on for on the weekend, totally outside the strictures of my knit list. More about that in a moment.
So the J Crew sweaters - I have decided to start a collection of them. Eventually, surely, I will find some duplicates that will allow me to cast on for the Sunrise Circle Jacket or Wallington without any niggling fears. Surely. Or else I'll just have to keep knitting children's garments, but that's ok too. I think that the benefit of restricting myself to a particular brand is that I can be more confident about finding the same colours and weights. Also, it will prevent the closet from overflowing too much.
As it is, I have cast on for Wallington in some 8ply/dk claret recycled J Crew lambswool. It comes from a men's extra large but still I'm not sure - differences in gauge between the machine knit and my hand knit?? So I have started on a sleeve - we'll see how it goes.
ps - they also machine wash really well, despite what the tag says!
Or with spring snow. No joke - it has been snowing today in Seattle.
But I have pretty posies: This is a black cotton skirt with a lovely floral print that (again) I just grabbed at the op shop (yep, back in Australia) simply for the fabric. And because it reminds me so of a skirt that my dear friend Reneé wears. I could get the zipper done up but the waistband was too small, so off with the waistband and in with some darts in that top tier. A lovely bright blue grosgrain ribbon as the waist facing and it is springtime at my house, whatever the weather.
I have also finished adjusting the waist of my autumn leaves black velvet skirt. That was again a too-small waistband with quite a full gathered skirt attached. Again, I took off the waistband and put in some darts (sort of in the form of inverted pleats) and of course, a grosgrain facing inside the waist.
Here is a fascinating photo of quilt batting stuck to the floor:
Yes, I have been working on my vintage fabrics quilt, which has actually been a lot of fun. I like to sew, I do, I really do ... really ... truly. Heaven knows then why I spend so much time procrastinating and putting it off. When I get around to it, I do actually enjoy it.Really I do.
The much needed impetus to keep working on the quilt came last Friday when knitting friends and I got together for some mutual sewing support, to finish things that had been sitting around for too long (or which had never even been started). It was very successful - I finished cutting out the fabric pieces for the backing for the quilt and even got it sewn up. Hooray, that was my major achievement for the day.
Then of course I was on a roll and decided that I absolutely had to get the quilt layered together and pinned. Wow, what a chore. I had no idea and it took me two pinning sessions because I ran out of pins. the next day I went and bought three more packets (65 pins per packet - that's 190 more pins) and still I didn't have enough. Those things are pricey too so I have decided that instead of buying more I am going to quilt some of the inner squares and the pins that I take off then I can use on the edges.
So yes, that's the batting taped to the floor to keep it taught. I'm not actually going about it the traditional way, that is, I am going to quilt just the top and batting together and apply the backing later, instead of quilting the top, batting and backing together. The batting is a length of mystery fabric (certainly at least some percentage wool) purchased at Goodwill in Burien I think, cut in half and joined together. It will be snuggy.
So what I have now is a punk quilt. The packaging for the quilters safety pins reads 'will not rust or tarnish and can safely be left in your quilt'. It doesn't specify for how long. Because the only problem with completing one step of a project is that you then have no excuse for not getting on with the next step - yes, now of course I actually have to quilt it. After all that pinning effort I'm kind of tempted to just leave them there. At least for a while (ha ha, like that wasn't going to happen anyway).
I've never been quite sure what this line from Eliot is saying. Is it 'oh swallow swallow' as in 'oh name-of-bird name-of-bird'? Or is he addressing the swallow with an imperative as in 'oh name-of-bird order-to-do-something'? Or even 'oh order-to-do-something name-of-bird'? If only it were written in Latin, this would all be clear.
Regardless, my Swallowtail Shawl - gulp - I finished it.
The Vital Statistics
Pattern: The Swallowtail Shawl by Evelyn Clark Designs. Size: I did 19 repeats of the budding lace pattern and three tiers of the lily of the valley border (the pattern only calls for 14 repeats and 2 tiers respectively). My finished shawl measures 146 centimetres wide and 64 centimetres deep (57.5 inches x 25.2 inches).
Yarn: This is yarn that I bought at the Lake City Way Value Village here in Seattle. There were six balls of it, white, the only brand markings being 'All Wool Hand Knitting Yarn'. I dyed it with the help of my friend Valerie of Actual Size Creations - thank you! I joined three balls together to make one hank and dyed it like that - turns out that the middle ball took the dye differently which has produced an interesting colour variation. It's not a fault, it's a design feature.
I figured that it was laceweight but after recently inspecting some 2 ply at a yarn store I am leaning more towards calling it cobweb weight. Needles: 3.5mm Addi Lace Start to finish: 21 November 2008 to 23 March 2009. Only four months! It has taken me longer than that to knit a pair of socks! I'm very pleased with this timeframe, especially considering that there was quite a knitting pause in there while I got over my initial nupp shock.
Comments: Where to start? This is a lovely pattern but I found that the charts in the downloadable pdf version were badly laid out. I actually ended up cutting them out and rearranging them and sticking them down so that I could follow them. Nevertheless, when I went back to the charts after a few week's break, it took me a good half hour to understand them again.
This was my first real lace knitting project. I have done lacey knitting before but never to this scale and complexity. I don't think that a triangular shawl was actually a good place to start, the stitch increase each row just gives you one more thing to think about. I think the clue to keeping track of it all is to work out a method for recording where you are - with the use of markers, ticking row counts off on a list - and be rigorous about it. And count! It's easy on the non-patterned rows to just happily purl along but it is essential to count that there is the correct number of stitches in each repeat.
And the nupps- basically the nupps sucked. Yes, I got the hang of them but I certainly did not find them pleasant knitting. In future where nupps are called for I would consider making a bobble - same effect, less stress.
I was also saved, a number of times, by using a lifeline. I took a long piece of sock wool and, at the end of a repeat, threaded it through the stitches on the needle. I then continued to knit, leaving that length of sock yarn in place. This saves your life (or at least your lace) in the event that you discover a mistake and have to rip the knitting back. With yarn this fine and so many stitches, at a certain point to unknit is quite unbearable and if you rip back without something to secure the stitches at some point, you may well find yourself back at your cast-on edge. The lacey fabric is too wispy to hold its shape and it is very difficult to successfully pick up live stitches.
Verdict: While I hesitate to say that the shawl is perfect, I am very proud to say that the shawl is mistake free. There are no sneaky knit-2-togethers to deal with an extra stitch, or surreptitious make-ones when I fell a stitch short. I am absolutely delighted to have achieved one of my knitting aspirations. To knit lace is why I started knitting in the first place. So while the shawl itself only took me four months to knit, it has been about six years in the making.
I'm glad that I started doing this knitting thing. I may just stick with it.
Who are you? I think that the whole 'search-for-identity' thing is most keenly associated with the teenage years when it is often such a burning issue. For me though the search goes on. It's no longer a big issue but yes, it's still there niggling away. Which brings me around to thrifting (as often happens). I've written before that buying things, particularly clothing, at the thrift store allows you to a) try out things that you normally wouldn't wear (at a fraction of the cost) and b) find great stuff that you wouldn't come across otherwise.
As per a) above, this kind of clothes shopping gives you a chance to become a you that suits the clothes you find, rather than endless searching for clothes that suit you. But as I've realised lately, you don't have to become all of the clothes that you find. In recent thrift shopping, I have come across a couple of pairs of black suede jeans - excellent quality, great condition, my size, $20. I even went so far as to try one of those pairs on and they were a good fit. But still, no, I couldn't become those jeans. I don't like leather clothing. I did buy a leather skirt once from the Salvation Army store in Abbotsford but never was comfortable in it. I only wore it a couple of times and gave it back. It just wasn't me, or I wasn't it.
As per b) above, I did find something great though. For ages I have been wanting a t-shirt or sweatshirt with either a quirky allover print or drawing on it. Thing is, I rarely go into shops that sell that sort of thing and my appetite for new clothing (and new clothing prices) is non-existent. So, to my delight, at Goodwill the other week I found a cornflower blue (good colour on me) long-sleeved t-shirt (I like long-sleeved t-shirts and short-sleeved blouses) with a quirky owl drawing on it. It had a crewneck which I do not find at all flattering so I just cut off the binding when I got it home and the neckline is now open enough to look good. The small bit of doctoring doesn't seem to have done the rest of the t-shirt fabric any damage - that stuff seems not to unravel. So, I've worn the top a few times now (with denim jeans) and I'm pretty much delighted with it.
Pretty much; the thing is, I think that it might actually be a pyjama top. An owl is a night-time sort of motif and the slight texture of the knit is a bit pyjama-ish. That's one drawback of thrift store shopping - on some things you can never be quite sure. So, I seem to be a thirty-something who wears a slightly refashioned pyjama top as a long-sleeved t-shirt. But not with black suede jeans.