It is only four days ago that the Elizabeth Zimmerman tomten jacket in Noro graduated from the 'best intentions' list to the 'I'm busy with' list and already it is at the top of the class. I have completed the back and fronts (knit all in one piece) and have the hood and sleeves to go. What is it about the tedious sewing up on the baby ballerina top fronts (yes, they are both finished) that can inspire me to power through this much garter stitch? Generally speaking, I dislike garter stitch and was only prepared to give this garment a go because I liked the construction and was sure that the result would be awfully cute. Now I can't wait to make more.
This is the first time that I have used Noro yarns - the Kureyon is a lovely weight and the colours are wonderful. I am concerned though that this colourway is a bit too dark for a little girl. When the knitting is complete, I'll consider lining it in a fabric that picks out the bright pink or light purple to brighten it up a bit. I'm very happy with the colour spacing in the yarn and I love the way that garter stitch blends the tones even further by virtue of the stitch structure. Perhaps that's partly why it knits up so quickly - there's the intrigue of what colour variation will come next? what will the next row look like?
I have to admit that I was a bit resistant to the whole EZ thing at first. Yes, 'the whole EZ thing'. I'll try to explain that later.
A couple of instances of ubiquidipity before I go. Only Midge, an Australian designer handbags company, is using the ladybird fabric in their current rage - the same fabric that features in my most recent refashion. And, on Spicks and Specks this Wednesday evening past there was a question about the Pogues - what the band's name means in Gaelic. Ah, what an obscure item of musical ephemera. Well, not so ephemeral because the very next day it came up again in the novel I'm reading, The Steep Approach to Garbadale by Iain Banks. I'm really enjoying it.